|
|
|
|
|
Home without a homeland
Nora Huppert Sydney Jewish Museum, 2012 Read extracts

Thank you, Diana, for your care, support and encouragement throughout this project. Your confidence, good humour and optimism went a long way to helping me reach this result. I would never have achieved it without you. Nora Huppert
https://books.google.com.au/books/about/Home_without_a_Homeland.html?id=eJLejuSex54C&redir_esc=y
|
|
Sing me that lovely song again…

To collaborate with Diana Giese brought reassurance, nurture, instruction and pleasure. Like a discriminating gardener she pruned many tangled passages while leaving my blooms, my best sentences, completely unaltered, so that I felt I still owned the text. She also matched pictures and text with both serious and playful purpose. Helga Griffin
|
|
'Gelignite’ Jack Murray
Phil Murray New Holland, 2017

Writer and editor Diana Giese’s mentorship, expertise and insight enabled me to bring my dream of writing my father’s biography to reality. This book would not exist without Diana’s professional editing, advice and guidance.
Phil Murray
|
|
|
|
|
|
From Shekki to Sydney: An Autobiography
Stanley Hunt Wild Peony/University of Hawaii Press, 2009 Read extracts

It was the expert guidance and mentorship of Diana Giese that helped me to develop and structure my writing into a book…Diana and I worked together for over a year on writing, reorganising and rewriting the rough manuscripts to produce the fullest possible account of my life. Stanley Hunt |
|
My Animated Life

Millions of Australians grew up watching Dot and the Kangaroo and Blinky Bill, but the story of Yoram Gross, the man behind such beloved characters, is far more interesting than any piece of fiction. Encore magazine online
|
|
Letter from my Father
Dasia Black Brandl & Schlesinger, 2012 Read extracts

The book would not have been written without my editor Diana Giese... Dasia Black
|
|
|
|
|
|
WHILE HER CHILDREN SWUNG FROM THE CHANDELIER
Joan Philips Sydney Jewish Museum, 2014 Read extracts

…Keep your minds ever-active, let your thoughts run free And you too can be a Matriarch of East Sydney.
|
|
Once, Only the Swallows Were Free
Gabrielle Gouch Hybrid Publishers, 2013 Read extracts

Writing is a lonely job and having Diana Giese available to discuss ideas—from the writing to the design of the cover—was of great help to me. I found her structural editing very valuable and her knowledge of the publishing world useful.
I am not endowed with patience, and could not have worked with someone who takes weeks to deliver. Diana was always prompt and professional.
Her encouragement when the situation seemed hopeless, as it must to most writers at times, was invaluable. Gabrielle Gouch
|
|
Accidentally Istanbul
Nancy Knudsen Tamejin Publishing, 2016

Heartfelt thanks go to my long-time editor Diana Giese for her untiring support, guidance and unfailing enthusiasm during the editing and production process turning my manuscript into a publishable book. Nancy Knudsen
|
 |
|
|
 |
Recollections of Mr Manoly Lascaris
Vrasidas Karalis Brandl & Schlesinger, 2008 Read extracts

I’d like to thank Diana Giese, my editor, for her inventive and imaginative interventions in the text. Vrasidas Karalis
|
|
|
|
25 Years of Australian Opera
Neil Warren-Smith Oxford University Press, 1983 Read extracts

|